Vol. 7 No. 1 (2022)

Published November 30, 2022
DREADNESS: The Mystic Power, Philosophy and Performance of Shadow 1941-2021

Editors: Suzanne Burke, Charissa Granger, Hannah Regis & Deborah Matthews

Introduction

Suzanne Burke, Charissa Granger, Hannah Regis Regis, Deborah Matthews
Dreadness – The Mystical Power, Philosophy and Performance of Shadow
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Essays

Rayshawn Pierre
Uncovering the Canon-The Sound of Social Agency
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Yvonne Webber, Deborah Matthews
Abyssina Coming Down: Dead Rituals in Jumbie Timespaces
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Kela Francis
Yoruba Concept of Cool and The Oxymoronic Philosophy of Dreadness
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O’Neil Joseph
“Ah Have A Message to Give Yuh”: The Mighty Shadow Counsels Men on Affairs of the Heart
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Abeo Jackson
Man Cyah Take Horn: The Intersections of Colonialism, Capitalism and Gender Stereotyping
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Creative Reflections and Commentaries

Martin Raymond
“Bring Down The Rhythm!” – Shadow & The Rise of Speed Soca
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Khion De Las
The Major Shadow of the Minor: Winston “Shadow” Bailey, Music Modes and Trinbagonian Attitudes toward Prevalent Social Issues
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Convois

Zeno Constance, Joanne Haynes, Robin Foster, Aiyegoro Ome, Omari Ashby
We Real Dread! Everybody is Somebody
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Visual Essay

Sean Samad
“Our uncrowned king” – the Visual Representation of Shadow’s Album Covers
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Videos

The Mystical Power, Philosophy and Performance of Shadow. Opening with Suzanne Burke
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The Mystical Power, Philosophy and Performance of Shadow. A Conversation with Geraldine Skeete (Lyrics)
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The Mystical Power, Philosophy and Performance of Shadow. A Conversation with Hazel Franco (Dance)
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The Mystical Power, Philosophy and Performance of Shadow. A Conversation with John Arnold (Music)
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The Mystical Power, Philosophy and Performance of Shadow. A Conversation with Omari Ashby (Fashion)
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Contributors
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Editorial Board
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